Aldous Huxley, Essays: Wordsworth in the Tropics




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►→see also►→Huxley, Aldous
►→Huxley, Aldous (Leonard)
►→Aldous Huxley – Collected Essays
►→Aldous Huxley- After Many a Summer
►→ALDOUS HUXLEY, Those Barren Leaves
►→Huxley, Aldous (Leonard)
►→Aldous Huxley – BRAVE NEW WORLD
►→Aldous Huxley – Brave New World Revisited
►→Aldous Huxley – The Doors of Perception
►→Aldous Huxley, Ape and Essence
►→Aldous Huxley, Essays: LOVE, SEX, AND PHYSICAL BEAUTY
►→Aldous Huxley: Tragedy and the Whole Truth
►→Aldous Huxley, Essays: Appendix
►→Aldous Huxley, Essays: Decentralization and Self-Government
►→Aldous Huxley, Essays: Drugs That Shape Men’s Minds
►→Aldous Huxley, Essays: Knowledge and Understanding
►→Aldous Huxley, Essays: Madness, Badness, Sadness
►→Aldous Huxley, Essays: Music at Night
►→Aldous Huxley, Essays: Politics and Religion
►→Aldous Huxley, Essays: Sermons in Cats
►→Aldous Huxley, Essays: Subject-Matter of Poetry
►→Aldous Huxley, Essays: The Desert Boundlessness and Emptiness
►→Aldous Huxley, Essays: The Oddest Science
►→Aldous Huxley, Essays: The Olive Tree The Tree of Life
►→Aldous Huxley, Essays: The Scientist’s Role
►→Aldous Huxley, Essays: TRAVEL; The Palio at Siena
►→Aldous Huxley, Essays: Vulgarity in Literature
►→Aldous Huxley, Essays: Words and Behavior
►→ALDOUS HUXLEY, Eyeless in Gaza
►→Aldous Huxley, Island
►→Aldous Huxley, CROME YELLOW
►→Aldous Huxley, Time Must Have a Stop
►→Huxley, Aldous – Jacob’s Hands (with Christopher Isherwood)

In the neighborhood of latitude fifty north, and for the last hundred years or thereabouts, it has been an axiom that Nature is divine and morally uplifting. For good Wordsworthians — and most serious-minded people are now Wordsworthians, either by direct inspiration or at second hand — a walk in the country is the equivalent of going to church, a tour through Westmorland is as good as a pilgrimage to Jerusalem. To commune with the fields and waters, the woodlands and the hills, is to commune, according to our modern and northern ideas, with the visible manifestations of the “Wisdom and Spirit of the Universe.” The Wordsworthian who exports this pantheistic worship of Nature to the tropics is liable to have his religious convictions somewhat rudely disturbed. Nature, under a vertical sun, and nourished by the equatorial rains, is not at all like that chaste, mild deity who presides over the Gemüthlichkeit, the prettiness, the cozy sublimities of the Lake District. The worst that Wordsworth’s goddess ever did to him was to make him hear Low breathings coming after me, and sounds Of undistinguishable motion, steps Almost as silent as the turf they trod; was to make him realize, in the shape of “a huge peak, black and huge,” the existence of “unknown modes of being.” He seems to have imagined that this was the worst Nature could do. A few weeks in Malaya or Borneo would have undeceived him. Wandering in the hothouse darkness of the jungle, he would not have felt so serenely certain of those “Presences of Nature,” those “Souls of Lonely Places,” which he was in the habit of worshipping on the shores of Windermere and Rydal. The sparse inhabitants of the equatorial forest are all believers in devils. When one has visited, in even the most superficial manner, the places where they live, it is difficult not to share their faith. The jungle is marvelous, fantastic, beautiful; but it is also terrifying, it is also profoundly sinister. There is something in what, for lack of a better word, we must call the character of great forests — even in those of temperate lands — which is foreign, appalling, fundamentally and utterly inimical to intruding man. The life of those vast masses of swarming vegetation is alien to the human spirit and hostile to it. Meredith, in his “Woods of Westermaine,” has tried reassuringly to persuade us that our terrors are unnecessary, that the hostility of these vegetable forces is more apparent than real, and that if we will but trust Nature we shall find our fears transformed into serenity, joy, and rapture. This may be sound philosophy in the neighborhood of Dorking; but it begins to be dubious even in the forests of Germany — there is too much of them for a human being to feel himself at ease within their enormous glooms; and when the woods of Borneo are substituted for those of Westermaine, Meredith’s comforting doctrine becomes frankly ridiculous. It is not the sense of solitude that distresses the wanderer in equatorial jungles. Loneliness is bearable enough — for a time, at any rate. There is something actually rather stimulating and exciting about being in an empty place where there is no life but one’s own. Taken in reasonably small doses, the Sahara exhilarates, like alcohol. Too much of it, however (I speak, at any rate, for myself), has the depressing effect of the second bottle of Burgundy. But in any case it is not loneliness that oppresses the equatorial traveller: it is too much company; it is the uneasy feeling that he is an alien in the midst of an innumerable throng of hostile beings. To us who live beneath a temperate sky and in the age of Henry Ford, the worship of Nature comes almost naturally. It is easy to love a feeble and already conquered enemy. But an enemy with whom one is still at war, an unconquered, unconquerable, ceaselessly active enemy — no; one does not, one should not, love him. One respects him, perhaps; one has a salutary fear of him; and one goes on fighting. In our latitudes the hosts of Nature have mostly been vanquished and enslaved. Some few detachments, it is true, still hold the field against us. There are wild woods and mountains, marshes and heaths, even in England. But they are there only on sufferance, because we have chosen, out of our good pleasure, to leave them their freedom. It has not been worth our while to reduce them to slavery. We love them because we are the masters, because we know that at any moment we can overcome them as we overcame their fellows. The inhabitants of the tropics have no such comforting reasons for adoring the sinister forces which hem them in on every side. For us, the notion “river” implies (how obviously!) the notion “bridge.” When we think of a plain, we think of agriculture, towns, and good roads. The corollary of mountain is tunnel; of swamp, an embankment; of distance, a railway. At latitude zero, however, the obvious is not the same as with us. Rivers imply wading, swimming, alligators. Plains mean swamps, forests, fevers. Mountains are either dangerous or impassable. To travel is to hack one’s way laboriously through a tangled, prickly, and venomous darkness. “God made the country,” said Cowper, in his rather too blank verse. In New Guinea he would have had his doubts; he would have longed for the man-made town. The Wordsworthian adoration of Nature has two principal defects. The first, as we have seen, is that it is only possible in a country where Nature has been nearly or quite enslaved to man. The second is that it is only possible for those who are prepared to falsify their immediate intuitions of Nature. For Nature, even in the temperate zone, is always alien and inhuman, and occasionally diabolic. Meredith explicitly invites us to explain any unpleasant experiences away. We are to interpret them, Pangloss fashion, in terms of a preconceived philosophy; after which, all will surely be for the best in the best of all possible Westermaines. Less openly, Wordsworth asks us to make the same falsification of immediate experience. It is only very occasionally that he admits the existence in the world around him of those “unknown modes of being” of which our immediate intuitions of things make us so disquietingly aware. Normally what he does is to pump the dangerous Unknown out of Nature and refill the emptied forms of hills and woods, flowers and waters, with something more reassuringly familiar — with humanity, with Anglicanism. He will not admit that a yellow primrose is simply a yellow primrose — beautiful, but essentially strange, having its own alien life apart. He wants it to possess some sort of soul, to exist humanly, not simply flowerily. He wants the earth to be more than earthy, to be a divine person. But the life of vegetation is radically unlike the life of man: the earth has a mode of being that is certainly not the mode of being of a person. “Let Nature be your teacher,” says Wordsworth. The advice is excellent. But how strangely he himself puts it into practice! Instead of listening humbly to what the teacher says, he shuts his ears and himself dictates the lesson he desires to hear. The pupil knows better than his master; the worshipper substitutes his own oracles for those of the god. Instead of accepting the lesson as it is given to his immediate intuitions, he distorts it rationalistically into the likeness of a parson’s sermon or a professorial lecture. Our direct intuitions of Nature tell us that the world is bottomlessly strange: alien, even when it is kind and beautiful; having innumerable modes of being that are not our modes; always mysteriously not personal, not conscious, not moral; often hostile and sinister; sometimes even unimaginably, because inhumanly, evil. In his youth, it would seem, Wordsworth left his direct intuitions of the world unwarped.
The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
As the years passed, however, he began to interpret them in terms of a preconceived philosophy. Procrustes-like, he tortured his feelings and perceptions until they fitted his system. By the time he was thirty, The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls -The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the wayside As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and regions of the heavens, Tumult and peace, the darkness and the light -Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types and symbols of eternity, Of first, and last, and midst, and without end.
“Something far more deeply interfused” had made its appearance on the Wordsworthian scene. The god of Anglicanism had crept under the skin of things, and all the stimulatingly inhuman strangeness of Nature had become as flatly familiar as a page from a textbook of metaphysics or theology. As familiar and as safely simple. Pantheistically interpreted, our intuitions of Nature’s endless varieties of impersonal mysteriousness lose all their exciting and disturbing quality. It makes the world seem delightfully cozy, if you can pretend that all the many alien things about you are really only manifestations of one person. It is fear of the labyrinthine flux and complexity of phenomena that has driven men to philosophy, to science, to theology — fear of the complex reality driving them to invent a simpler, more manageable, and, therefore, consoling fiction. For simple, in comparison with the external reality of which we have direct intuitions, childishly simple is even the most elaborate and subtle system devised by the human mind. Most of the philosophical systems hitherto popular have not been subtle and elaborate even by human standards. Even by human standards they have been crude, bald, preposterously straightforward. Hence their popularity. Their simplicity has rendered them instantly comprehensible. Weary with much wandering in the maze of phenomena, frightened by the inhospitable strangeness of the world, men have rushed into the systems prepared for them by philosophers and founders of religions, as they would rush from a dark jungle into the haven of a well-lit, commodious house. With a sigh of relief and a thankful feeling that here at last is their true home, they settle down in their snug metaphysical villa and go to sleep. And how furious they are when any one comes rudely knocking at the door to tell them that their villa is jerry-built, dilapidated, unfit for human habitation, even non-existent! Men have been burnt at the stake for even venturing to criticize the color of the front door or the shape of the third-floor windows. That man must build himself some sort of metphysical shelter in the midst of the jungle of immediately apprehended reality is obvious. No practical activity, no scientific research, no speculation is possible without some preliminary hypothesis about the nature and the purpose of things. The human mind cannot deal with the universe directly, nor even with its own immediate intuitions of the universe. Whenever it is a question of thinking about the world or of practically modifying it, men can only work on a symbolic plan of the universe, only a simplified, two-dimensional map of things abstracted by the mind out of the complex and multifarious reality of immediate intuition. History shows that these hypotheses about the nature of things are valuable even when, as later experience reveals, they are false. Man approaches the unattainable truth through a succession of errors. Confronted by the strange complexity of things, he invents, quite arbitrarily, a simple hypothesis to explain and justify the world. Having invented, he proceeds to act and think in terms of this hypothesis, as though it were correct. Experience gradually shows him where his hypothesis is unsatisfactory and how it should be modified. Thus, great scientific discoveries have been made by men seeking to verify quite erroneous theories about the nature of things. The discoveries have necessitated a modification of the original hypotheses, and further discoveries have been made in the effort to verify the modifications — discoveries which, in their turn, have led to yet further modifications. And so on, indefinitely. Philosophical and religious hypotheses, being less susceptible of experimental verification than the hypotheses of science, have undergone far less modification. For example, the pantheistic hypothesis of Wordsworth is an ancient doctrine, which human experience has hardly modified throughout history. And rightly, no doubt. For it is obvious that there must be some sort of unity underlying the diversity of phenomena; for if there were not, the world would be quite unknowable. Indeed, it is precisely in the knowableness of things, in the very fact that they are known, that their fundamental unity consists. The world which we know, and which our minds have fabricated out of goodness knows what mysterious things in themselves, possesses the unity which our minds have imposed upon it. It is part of our thought, hence fundamentally homogeneous. Yes, the world is obviously one. But at the same time it is no less obviously diverse. For if the world were absolutely one, it would no longer be knowable, it would cease to exist. Thought must be divided against itself before it can come to any knowledge of itself. Absolute oneness is absolute nothingness: homogeneous perfection, as the Hindus perceived and courageously recognized, is equivalent to nonexistence, is nirvana. The Christian idea of a perfect heaven that is something other than a non-existence is a contradiction in terms. The world in which we live may be fundamentally one, but it is a unity divided up into a great many diverse fragments. A tree, a table, a newspaper, a piece of artificial silk are all made of wood. But they are, none the less, distinct and separate objects. It is the same with the world at large. Our immediate intuitions are of diversity. We have only to open our eyes to recognize a multitude of different phenomena. These intuitions of diversity are as correct, as well justified, as is our intellectual conviction of the fundamental homogeneity of the various parts of the world with one another and with ourselves. Circumstances have led humanity to set an ever-increasing premium on the conscious and intellectual comprehension of things. Modern man’s besetting temptation is to sacrifice his direct perceptions and spontaneous feelings to his reasoned reflections; to prefer in all circumstances the verdict of his intellect to that of his immediate intuitions. “L’homme est visiblement fait pour penser,” says Pascal; “c’est toute sa dignité et tout son mérite; et tout son devoir est de penser comme il faut.” Noble words; but do they happen to be true? Pascal seems to forget that man has something else to do besides think: he must live. Living may not be so dignified or meritorious as thinking (particularly when you happen to be, like Pascal, a chronic invalid); but it is, perhaps unfortunately, a necessary process. If one would live well, one must live completely, with the whole being — with the body and the instincts, as well as with the conscious mind. A life lived, as far as may be, exclusively from the consciousness and in accordance with the considered judgments of the intellect, is a stunted life, a half-dead life. This is a fact that can be confirmed by daily observation. But consciousness, the intellect, the spirit, have acquired an inordinate prestige; and such is men’s snobbish respect for authority, such is their pedantic desire to be consistent, that they go on doing their best to lead the exclusively conscious, spiritual, and intellectual life, in spite of its manifest disadvantages. To know is pleasant; it is exciting to be conscious; the intellect is a valuable instrument, and for certain purposes the hypotheses which it fabricates are of great practical value. Quite true. But, therefore, say the moralists and men of science, drawing conclusions only justified by their desire for consistency, therefore all life should be lived from the head, consciously, all phenomena should at all times be interpreted in terms of the intellect’s hypotheses. The religious teachers are of a slightly different opinion. All life, according to them, should be lived spiritually, not intellectually. Why? On the grounds, as we discover when we push our analysis far enough, that certain occasional psychological states, currently called spiritual, are extremely agreeable and have valuable consequences in the realm of social behavior. The unprejudiced observer finds it hard to understand why these people should set such store by consistency of thought and action. Because oysters are occasionally pleasant, it does not follow that one should make of oysters one’s exclusive diet. Nor should one take castor-oil every day because castor-oil is occasionally good for one. Too much consistency is as bad for the mind as it is for the body. Consistency is contrary to nature, contrary to life. The only completely consistent people are the dead. Consistent intellectualism and spirituality may be socially valuable, up to a point; but they make, gradually, for individual death. And individual death, when the slow murder has been consummated, is finally social death. So that the social utility of pure intellectualism and pure spirituality is only apparent and temporary. What is needed is, as ever, a compromise. Life must be lived in different ways at different moments. The only satisfactory way of existing in the modern, highly specialized world is to live with two personalities. A Dr. Jekyll that does the metaphysical and scientific thinking, that transacts business in the city, adds up figures, designs machines, and so forth. And a natural, spontaneous Mr. Hyde to do the physical, instinctive living in the intervals of work. The two personalities should lead their unconnected lives apart, without poaching on one another’s preserves or inquiring too closely into one another’s activities. Only by living discreetly and inconsistently can we preserve both the man and the citizen, both the intellectual and the spontaneous animal being, alive within us. The solution may not be very satisfactory, but it is, I believe now (though once I thought differently), the best that, in the modern circumstances, can be devised. The poet’s place, it seems to me, is with the Mr. Hydes of human nature. He should be, as Blake remarked of Milton, “of the devil’s party without knowing it” — or preferably with the full consciousness of being of the devil’s party. There are so many intellectual and moral angels battling for rationalism, good citizenship, and pure spirituality; so many and such eminent ones, so very vocal and authoritative! The poor devil in man needs all the support and advocacy he can get. The artist is his natural champion. When an artist deserts to the side of the angels, it is the most odious of treasons. How unforgivable, for example, is Tolstoy! Tolstoy, the perfect Mr. Hyde, the complete embodiment, if ever there was one, of non-intellectual, non-moral, instinctive life — Tolstoy, who betrayed his own nature, betrayed his art, betrayed life itself, in order to fight against the devil’s party of his earlier allegiances, under the standard of Dr. JesusJekyll. Wordsworth’s betrayal was not so spectacular: he was never so wholly of the devil’s party as Tolstoy. Still, it was bad enough. It is difficult to forgive him for so utterly repenting his youthful passions and enthusiasms, and becoming, personally as well as politically, the anglican tory. One remembers B. R. Haydon’s account of the poet’s reactions to that charming classical sculpture of Cupid and Psyche. “The devils!” he said malignantly, after a long-drawn contemplation of their marble embrace. “The devils!” And he was not using the word in the complimentary sense in which I have employed it here: he was expressing his hatred of passion and life, he was damning the young man he had himself been — the young man who had hailed the French Revolution with delight and begotten an illegitimate child. From being an ardent lover of the nymphs, he had become one of those all too numerous woodmen who expel Love’s gentle dryads from the haunts of life, And vex the nightingales in every dell.
Yes, even the nightingales he vexed. Even the nightingales, though the poor birds can never, like those all too human dryads, have led him into sexual temptation. Even the innocuous nightingales were moralized, spiritualized, turned into citizens and anglicans — and along with the nightingales, the whole of animate and inanimate Nature. The change in Wordsworth’s attitude toward Nature is symptomatic of his general apostasy. Beginning as what I may call a natural aesthete, he transformed himself, in the course of years, into a moralist, a thinker. He used his intellect to distort his exquisitely acute and subtle intuitions of the world, to explain away their often disquieting strangeness, to simplify them into a comfortable metaphysical unreality. Nature had endowed him with the poet’s gift of seeing more than ordinarily far into the brick walls of external reality, of intuitively comprehending the character of the bricks, of feeling the quality of their being, and establishing the appropriate relationship with them. But he preferred to think his gifts away. He preferred, in the interests of a preconceived religious theory, to ignore the disquieting strangeness of things, to interpret the impersonal diversity of Nature in terms of a divine, anglican unity. He chose, in a word, to be a philosopher, comfortably at home with a man-made and, therefore, thoroughly comprehensible system, rather than a poet adventuring for adventure’s sake through the mysterious world revealed by his direct and undistorted intuitions. It is a pity that he never traveled beyond the boundaries of Europe. A voyage through the tropics would have cured him of his too easy and comfortable pantheism. A few months in the jungle would have convinced him that the diversity and utter strangeness of Nature are at least as real and significant as its intellectually discovered unity. Nor would he have felt so certain, in the damp and stifling darkness, among the leeches and the malevolently tangled rattans, of the divinely anglican character of that fundamental unity. He would have learned once more to treat Nature naturally, as he treated it in his youth; to react to it spontaneously, loving where love was the appropriate emotion, fearing, hating, fighting whenever Nature presented itself to his intuition as being, not merely strange, but hostile, inhumanly evil. A voyage would have taught him this. But Wordsworth never left his native continent. Europe is so well gardened that it resembles a work of art, a scientific theory, a neat metaphysical system. Man has recreated Europe in his own image. Its tamed and temperate Nature confirmed Wordsworth in his philosophizings. The poet, the devil’s partisan were doomed; the angels triumphed. Alas! (From Do What You Will)

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